1:02:02
Good day, Inspector.
1:02:04
Come, Mr Stringer. Let's go up to
my room. It's easier to talk there.
1:02:11
I'm not entirely sure
about that woman.
1:02:13
George thought
she was working for the police.
1:02:16
Nonsense.
She's a lady and a great horsewoman.
1:02:19
One doesn't necessarily
preclude the other, does it?
1:02:22
I've never heard
of a mounted policewoman.
1:02:24
You know her well.
Is she working for the police?
1:02:28
Oh, no... at least I don't think so.
1:02:31
I believe
she knows the Inspector personally.
1:02:34
What does it matter? You sound
like a man with a guilty conscience.
1:02:38
My conscience is perfectly clear.
1:02:40
Then you have nothing to worry about.
1:02:42
- Hector, now can I have the picture?
- No.
1:02:47
Nobody else wanted it
but George and he's dead.
1:02:50
I told you why,
I'm keeping it myself.
1:02:56
You are please to take this
to London to the art dealers.
1:03:00
They will appraise it
and get it back here quickly.
1:03:03
If it'll help.
1:03:04
I'm hopeful it will not only help but
clinch the whole matter.
1:03:08
- You've made real progress.
- Yes. We're near the end.
1:03:11
- You know who did it?
- I think so.
1:03:13
- Oh, good. Who?
- I can't tell you that at present.
1:03:16
- Miss Marple, please be careful.
- Of course I'll be careful.
1:03:19
You see you don't get yourself
arrested, that's stolen property.
1:03:23
Stolen property!
1:03:29
Mr Enderby, you quite startled me.
Won't you come in?
1:03:32
Thank you. I was about to knock.
1:03:34
- You know Mr Stringer?
- I haven't had the pleasure.
1:03:37
I'm sorry. Mr Enderby, Mr Stringer.
1:03:39
Always delighted to meet any friend
of Miss Marple's. How do you do?
1:03:43
How do you do? Well, goodbye.
1:03:47
- You're not leaving on my account?
- No, no.
1:03:49
- An errand in London.
- What a shame.
1:03:52
I was hoping you'd stay
for our dance.
1:03:54
Isn't that a good idea
and you are so fond of dancing.
1:03:57
- I am?
- You know you are.
1:03:59
Why don't you
return here after London?