:20:04
Like, er, bonjour, baby.
:20:07
- Bonjour, Maurice!
- Hey.
:20:08
Oh, I'm so excited. I didn't sleep
a wink. Do you like my dress?
:20:12
Yeah, very groovy.
:20:14
Would it be too wicked
if instead of breakfast
:20:17
we had a glass of champagne
right here?
:20:20
Thanks.
:20:25
- Look, baby...
- Yes, Maurice?
:20:28
This Bastille Day gig?
:20:31
Like, erm,
we're gonna have to cool it.
:20:34
But, Maurice, I don't understand.
:20:36
Well, see, baby, I'm going to
have to cut. See, last night,
:20:40
while I was making the scene
at le drug store,
:20:43
I was tearing an expresso
with a couple of local citizens
:20:47
when, erm, all of a sudden
this New Wave-looking stud comes in
:20:52
and says his name is Roger Roussin
:20:54
and, like, he's making a film
about Bastille Day.
:20:58
No Dancing in the Streets.
:21:00
No Dancing in the Streets?
:21:03
In Roger's flick it, like,
erm... rains.
:21:08
Anyway, he offers me the lead.
:21:10
Oh, Maurice,
I'm, like, so happy for you.
:21:13
See, I have to split. We're gonna be
shooting all day. In the sewers.
:21:18
I see.
:21:20
Hey, baby, I got wheels,
can I drop you?
:21:23
No thanks, I prefer to walk.
:21:25
Crazy.
:21:31
Erm, à tout à I'heure.
:21:36
With the almost lunatic narcissism
:21:39
peculiar to his curious calling,
:21:41
Maurice rather preciously mounts
his motor scooter.
:21:45
Our heroine is left grief-stricken,
:21:48
not realising how much better off
she really is.
:21:54
They were going to spend
the whole day together!
:21:56
My dear, you just witnessed
the first switch.
:21:59
Maybe, but Maurice
would never behave that way.