:21:00
No Dancing in the Streets?
:21:03
In Roger's flick it, like,
erm... rains.
:21:08
Anyway, he offers me the lead.
:21:10
Oh, Maurice,
I'm, like, so happy for you.
:21:13
See, I have to split. We're gonna be
shooting all day. In the sewers.
:21:18
I see.
:21:20
Hey, baby, I got wheels,
can I drop you?
:21:23
No thanks, I prefer to walk.
:21:25
Crazy.
:21:31
Erm, à tout à I'heure.
:21:36
With the almost lunatic narcissism
:21:39
peculiar to his curious calling,
:21:41
Maurice rather preciously mounts
his motor scooter.
:21:45
Our heroine is left grief-stricken,
:21:48
not realising how much better off
she really is.
:21:54
They were going to spend
the whole day together!
:21:56
My dear, you just witnessed
the first switch.
:21:59
Maybe, but Maurice
would never behave that way.
:22:01
Besides, his name is not Maurice,
it's Philippe.
:22:05
So, having successfully disposed of
her date for Bastille Day,
:22:08
we move on to important matters.
Conflict.
:22:11
Conflict?
:22:12
The other man.
:22:15
The third corner
of the obligatory triangle.
:22:17
Didn't Roger whatshisname,
the No Scrabble director,
:22:20
teach you anything
about writing movies?
:22:24
No...
:22:27
- For a moment, Gabby sits there...
- Gabby?
:22:30
We've got to call her something.
:22:32
For a moment, Gabby sits there.
:22:36
A lonely and pathetic figure.
:22:39
But unbeknownst to her,
this heart-breaking little scene
:22:42
has been witnessed by...
:22:45
...dot, dot, dot...
:22:48
...a mysterious stranger.
:22:51
A mysterious stranger. How exciting.
:22:55
Miss Simpson,
before you escape the confines
:22:57
of this unpretentious hotel room,
:22:59
it's my intention to show you