:32:03
We will not this time be so...
understanding
:32:08
as we were last year in Tangier.
:32:27
Now, Miss Simpson, having
established a climate of suspense,
:32:30
intrigue and romance, we've arrived
once more at that magic moment.
:32:36
The boy and the girl meet.
:32:42
OK. Now we need more conflict.
:32:46
A new character, maybe.
:32:48
I've got it! Seated nearby
is Rick's deadly enemy,
:32:52
Inspector, erm, Gillette
of the international police force.
:32:58
It is apparent he knows something
the audience does not know.
:33:04
And now, Miss Simpson, we have set
the wheels of our plot in motion
:33:09
and inflamed the audience
with a passionate desire
:33:12
to find out what happens next.
:33:14
And I don't blame them.
I'm dying to find out myself.
:33:18
We can pause
for a few pages of chitchat,
:33:21
getting-to-know-you stuff,
which I do so brilliantly.
:33:24
The question is, where should
this charming little scene be played?
:33:35
At lunch!
:33:37
Yes, he takes her to a beautiful
restaurant for lunch in the Bois.
:33:41
Ridiculous. She wouldn't go off with
a man who picked her up in a square.
:33:46
I mean, he's a perfect... stranger.
:33:48
Miss Simpson, nobody's perfect.
:33:50
Why, he asks, as they dance
and dance and dance,
:33:54
are you so sad
when everyone is so gay?
:33:57
And then a suggestion
from the mysterious stranger.
:33:59
If you try raising your upper lip,