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:01:01
or the most action-type
scenes in the movie.

:01:04
The cast is a mixture of American lead,
:01:08
Italian actors,
Spanish actors, West Germans.

:01:10
This is an Italian-Spanish-West
German coproduction,

:01:14
and each wanted a slice
of the action with the cast.

:01:17
Here's a direct James Bond reference.
:01:19
The iris looking down onto the horseman.
:01:23
James Bond had been successful
in Italy, and you could say

:01:26
part of the impetus for this film is
to bring Bond together with the Western,

:01:30
to turn it into a mid-1960s
grown-up kind of Western

:01:34
that would appeal to the audience
for James Bond movies.

:01:45
Shot in Techniscope, known as
the poor man's CinemaScope,

:01:48
a two-perforation system where you
printed two frames for the price of one.

:01:52
It was quite difficult to use,
and encouraged the use

:01:56
of either long shots or extreme close-ups,
:01:59
which, of course, is one of the technical
innovations of the Italian Western.

:02:08
In the shooting script, the movie
begins with a map of the Rio Grande,

:02:13
or the Río Bravo, as Mexicans call it,
:02:15
with northern Mexico
and the southern United States.

:02:18
And it's 1872, New Mexico. You see
the water, you see the mule's feet.

:02:24
You see the rider go across
the water, and his name is Ray.

:02:28
He's a Confederate sergeant.
And you see him steal a poncho

:02:31
off a hatless Mexican peon
who's having a swim in the Rio Grande.

:02:36
He puts on the poncho, cut,
and then the movie begins.

:02:39
But in the final version, it's much more
enigmatic, and more iconic as a costume,

:02:44
because you don't know why he's wearing
it, but he looks at home in Mexico.

:02:50
This sequence was shot
in Almería, in southern Spain,

:02:53
at a place called Cortijo el Sotillo,
at San Jose, east of Almería,

:02:58
and it looks much the same now
as it did then. This is an actual place.


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