3:22:07
- Hi, this is Steve Lawrence.
- This is Jerry Lewis sitting with him.
3:22:11
- And what are we watching?
- We're watching The Patsy,
3:22:15
a Paramount release.
3:22:18
Good opening.
3:22:22
- White socks you wore in every picture.
- Always.
3:22:26
It's like corrective feet.
3:22:28
Did you know that Gene Kelly never wore
the same colour sock as his trousers?
3:22:34
- It brought the focus to his feet.
- Same thing with Astaire.
3:22:40
- David Raksin?
- Yes. What a thrill that was.
3:22:43
What a wonderful composer. Brilliant.
3:22:45
He said, "Nobody will believe I did The
Bad And The Beautiful and The Patsy. "
3:22:49
The Bad And The Beautiful
and Laura, by the way.
3:22:53
- It's two of my... I think probably...
- Laura I forgot, you're right.
3:22:57
The Bad And The Beautiful
was an incredible score.
3:22:59
Jeez, was it ever.
3:23:01
An excellent composer you've always
used in all your films.
3:23:05
You are very conscious of music,
Mr Lewis.
3:23:09
Yes, thank you, Mr Lawrence.
3:23:11
Music to me was the very spine
of all of the comedy I ever did.
3:23:16
- John Woodcock's car.
- I Lost My Heart In A Drive-ln Movie.
3:23:29
All the music tracks were done on the
sound stage, not a recording studio?
3:23:34
Paramount sound stage. We did
everything on the scoring stage.
3:23:43
The comfort level on the set
must have been extraordinary.
3:23:46
So many people had worked as a unit.
Billy Richmond and Glucksman...
3:23:50
- Absolutely.
- And the cast of players.
3:23:53
I used the same crew for 11 films.
3:23:57
They knew what you wanted.