3:23:01
An excellent composer you've always
used in all your films.
3:23:05
You are very conscious of music,
Mr Lewis.
3:23:09
Yes, thank you, Mr Lawrence.
3:23:11
Music to me was the very spine
of all of the comedy I ever did.
3:23:16
- John Woodcock's car.
- I Lost My Heart In A Drive-ln Movie.
3:23:29
All the music tracks were done on the
sound stage, not a recording studio?
3:23:34
Paramount sound stage. We did
everything on the scoring stage.
3:23:43
The comfort level on the set
must have been extraordinary.
3:23:46
So many people had worked as a unit.
Billy Richmond and Glucksman...
3:23:50
- Absolutely.
- And the cast of players.
3:23:53
I used the same crew for 11 films.
3:23:57
They knew what you wanted.
3:24:00
- It was such a pleasure.
- It's great.
3:24:03
It's like you and your piano player.
3:24:05
You just give him a look and
he knows exactly where to go.
3:24:19
- Nobody shook.
- No, nobody.
3:24:28
- That wasn't written.
- That whole crossover?
3:24:31
That whole crossover,
that whole handshake shtick.
3:24:35
But because it's such a large set, the
camera just stays with that walkover.
3:24:40
Yeah.
3:24:47
This was one of my favourite sets
because it was very huge
3:24:52
and it afforded me an opportunity to
move people around much more easily
3:24:58
because the repertory company
in the film was seven people.