:52:01
-Walking along a street.
-Walking along a street.
:52:04
Who could object to that?
:52:06
You would not be acting because
you would not be saying anything.
:52:09
l couldn't say anything
because that would be acting.
:52:12
l could say, ''Good morning.''
:52:15
That wouldn't be acting.
l always say good morning.
:52:17
There is a character in this film
that says ''Good morning.''
:52:21
lt's a milkman,
l could change it to a policeman.
:52:23
l wouldn't want you to change the story.
:52:25
No, l just take out the milkman
and put in a policeman.
:52:29
And l'm a policeman, so l could do it.
:52:31
Yes, it's settled.
:52:34
You start the picture.
l'll take care of the application.
:52:39
That is a wonderful wink.
:52:41
Maybe we could use that wink
when you say, ''Good morning.''
:52:45
Whatever you want. You're the director.
:52:48
Again my deepest gratitude.
:52:50
And, good morning.
:52:53
Good morning.
:52:55
Such a deep rich voice.
:53:06
Excuse me, but we film people...
:53:10
...must give vent to our feelings
and l have just vented.
:53:14
Good morning.
:53:19
Good morning.
:53:23
Good morning.
:53:29
You have the plan?
:53:31
Yes. Brilliant in its conception,
daring in its execution.
:53:36
How do you get the gold into the country?
:53:39
On a ship in broad daylight
with police protection.
:53:44
Trust me. l'll see you later in the stable.
:53:56
''You make me feel so young
:53:58
''You make me feel as though
spring has sprung