:53:06
Excuse me, but we film people...
:53:10
...must give vent to our feelings
and l have just vented.
:53:14
Good morning.
:53:19
Good morning.
:53:23
Good morning.
:53:29
You have the plan?
:53:31
Yes. Brilliant in its conception,
daring in its execution.
:53:36
How do you get the gold into the country?
:53:39
On a ship in broad daylight
with police protection.
:53:44
Trust me. l'll see you later in the stable.
:53:56
''You make me feel so young
:53:58
''You make me feel as though
spring has sprung
:54:04
''You make me feel so young
:54:07
''You make me feel so young
:54:09
''You make me feel as though
spring has sprung''
:54:13
Ever heard of an ltalian director
called Federico Fabrizi?
:54:16
No.
:54:18
He wants to talk to you about a picture.
:54:21
-What?
-A neo-realistic film.
:54:24
Send him up. What's neo-realism?
:54:26
No money. Send him up.
:54:29
Cleopatra suite. Signor Fabrizi. Fifth floor.
:54:33
Let's get it straight. l do the talking.
:54:35
Don't accept nothing from him
unless l say so.
:54:38
l'd better wear my trench coat
or is it too much?
:54:40
l'll check what he's done,
see what kind of money he's offering.
:54:43
l'm going to control the script,
casting, everything.
:54:46
-Right?
-Right.
:54:48
l'll sit here so when he comes in
he'll get my best side.
:54:51
l've got it.
:54:52
l'll get it in black and white
and l'll get two fares back to California.
:54:57
When he comes in, l'll make an entrance.
:54:59
Sit down and let me handle this.