1:50:23
So this is the young man.
1:50:26
How do you do, sir?
1:50:28
Missus.
I'm very pIeased to meet you.
1:50:31
I hope you forgive us for coming
at this hour. . .
1:50:33
. . .but we heard you
were in troubIe. . .
1:50:35
. . .and so we came over to see
if we couId heIp.
1:50:38
Very kind of you, sir.
Thank you very much.
1:50:40
I understand you had a rather. . .
1:50:43
. . .unfortunate. . .
1:50:44
. . .encounter. . .
1:50:46
. . .with the poIice tonight.
1:50:48
Yes, I suppose
you couId caII it that.
1:50:50
How are you feeIing now?
1:50:51
Much better, thank you.
1:50:53
FeeI Iike taIking,
answering a few questions?
1:50:55
Fine, sir. Fine.
1:50:57
As I said, we've heard about you.
1:51:00
We are interested in your case.
1:51:03
-We want to heIp you.
-Thank you very much.
1:51:06
ShaII we get down to it?
1:51:10
Fine. Fine, sir.
1:51:16
The newspapers mentioned. . .
1:51:19
. . .in addition to being conditioned
against acts of sex and vioIence. . .
1:51:24
. . .you've inadvertentIy been
conditioned against music.
1:51:28
I think that was something
that they didn't pIan for.
1:51:31
You see, missus. . .
1:51:33
. . .I'm very fond of music.
EspeciaIIy Beethoven.
1:51:38
Ludwig van Beethoven.
1:51:40
-B-E--
-It's aII right, thank you.
1:51:42
And it just so happened that
whiIe they were showing me. . .
1:51:47
. . .a particuIarIy bad fiIm
of, Iike, a concentration camp. . .
1:51:51
. . .the background music
was pIaying Beethoven.
1:51:54
So now you have
the same reaction to music. . .
1:51:57
. . .as you do to sex and vioIence?
1:51:59
No, missus. You see, it's not
aII music. It's just the Ninth.