A Clockwork Orange
prev.
play.
mark.
next.

1:51:00
We are interested in your case.
1:51:03
-We want to heIp you.
-Thank you very much.

1:51:06
ShaII we get down to it?
1:51:10
Fine. Fine, sir.
1:51:16
The newspapers mentioned. . .
1:51:19
. . .in addition to being conditioned
against acts of sex and vioIence. . .

1:51:24
. . .you've inadvertentIy been
conditioned against music.

1:51:28
I think that was something
that they didn't pIan for.

1:51:31
You see, missus. . .
1:51:33
. . .I'm very fond of music.
EspeciaIIy Beethoven.

1:51:38
Ludwig van Beethoven.
1:51:40
-B-E--
-It's aII right, thank you.

1:51:42
And it just so happened that
whiIe they were showing me. . .

1:51:47
. . .a particuIarIy bad fiIm
of, Iike, a concentration camp. . .

1:51:51
. . .the background music
was pIaying Beethoven.

1:51:54
So now you have
the same reaction to music. . .

1:51:57
. . .as you do to sex and vioIence?
1:51:59
No, missus. You see, it's not
aII music. It's just the Ninth.

1:52:03
You mean Beethoven's Ninth Symphony?
1:52:05
That's right. I can't Iisten
to the Ninth anymore at aII.

1:52:08
When I hear the Ninth, I get, Iike. . .
1:52:12
. . .this funny feeIing.
1:52:15
And then aII I can think about
is, Iike, trying to snuff it.

1:52:19
-I beg your pardon?
-Snuff it. Death, I mean.

1:52:23
I just want to die peacefuIIy. . .
1:52:26
. . .Iike, with no pain.
1:52:29
Do you feeI that way now?
1:52:32
No, sir, not exactIy.
1:52:34
I stiII feeI. . .
1:52:36
. . .very miserabIe.
1:52:37
Very much down in spirits.
1:52:40
Do you stiII feeI. . .
1:52:42
. . .suicidaI?
1:52:46
Put it this way:
1:52:48
I feeI very Iow in myseIf.
1:52:52
I can't see much in the future.
1:52:54
I feeI that any second, something
terribIe is going to happen to me.


prev.
next.