Nashville
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:05:01
You'll see her for free
as our guests. How's that?

:05:05
All right?
:05:07
Okay, let's hear a get-well welcome
for Barbara Jean.

:05:10
- Let's hear it. Come on!
- [Applause, Louder]

:05:18
Ingrates is all they are.
:05:20
- A bunch of no-talent...
- [Resumes]

:05:22
I got trapped out there,
and you guys know it.

:05:25
- I want some ground rules right now.
- You name it.

:05:27
She's gonna sing first and be off
before that man even shows.

:05:31
Fine.
Whatever you want.

:05:33
- Never shoulda brought her here.
- Any way you want it.

:05:36
No paraphernalia, no literature
being circulated. You understand?

:05:39
And never, at any time, is she to be
associated with Hal Phillip Walker.

:05:43
- Hello?
- Hey.

:05:45
Guess who.
:05:47
- Linnea?
- Yes, it's me.

:05:50
Hi. This is Tom.
:05:56
I'm playing a gig tonight downtown.
You wanna come and meet me?

:06:02
It's at a place called
the, uh, No Exit, or the Exit.

:06:06
Exit Out, or somethin'.
:06:08
Anyhow, it's right across the street
from Friday's, on Church Street.

:06:12
You know where that is,
don't you?

:06:14
Anyhow, I'll be there at 8:00,
and, uh...

:06:17
Why don't you meet me there?
:06:20
- Okay?
- Um...

:06:22
Well, it's sad but true
:06:25
The pilot light of our love
:06:29
Has flickered out
:06:33
- Mary...
- Driver, may I have more champagne?

:06:36
- That's Norman.
- Oh.

:06:38
Norman, yes.
Norman. Of course.

:06:40
He doesn't like to be known
as a driver.

:06:44
Thank you so much, Norman.
:06:45
What used to come
from the warmest heart

:06:50
I have to get from a cold can
:06:56
Since my baby's cookin'in

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