:31:02
I've accepted that transfer to Houston.
We're leaving next month.
:31:07
- We talked about that, and l...
- I know.
:31:10
I think we made the wrong decision.
For Lauren.
:31:14
And for us.
:31:16
Well, but...
But Houston's so... Well...
:31:20
Houston is so...
:31:26
Houston.
:31:28
Until about 500 B.C., the Greeks
perfected their carving techniques.
:31:33
You can see these statues are different
from those Egyptian statues...
:31:38
...in their depiction
of the human form.
:31:40
Praxiteles, for example, is a master.
:31:44
See how he really shows
the anatomy as it is.
:31:47
Notice the detail of the musculature.
:31:52
Over here, on the other hand,
we have Doriphor by Polyclitus...
:31:57
...and a perfectly splendid example
of the school of Athens...
:32:01
...the magnificent Torso of Apollo.
:32:05
The strength of Greek sculpture
is due...
:32:08
Have you ever seen a real one?
:32:11
One what?
:32:15
Sure.
:32:17
Whose? His?
:32:20
- Whose?
- You know, his. Daniel.
:32:26
Sure.
:32:28
God! Have you ever, you know?
:32:31
Done it?
:32:33
- All the time, every which way.
- God, Lauren!
:32:37
I would've preferred to have waited,
but you know the French.
:32:42
Works like this aren't mentioned
by the classical Greek...
:32:46
Where?
:32:47
- Where what?
- Did you do it?
:32:51
There's this old mattress in his cellar,
and we...
:32:54
God!
:32:56
As we come downstairs, we'll see
on our left the Apollo Belvedere.