:52:01
I can only reply that
this assertion is pure fabrication. "
:52:06
I'm sorry, Betti.
:52:08
I guess I've changed a lot.
:52:11
Looking at you,
:52:13
nobody could tell
what you've been through.
:52:16
- She didn't mean it that way.
- I'll take care of that.
:52:19
- Maybe what Betti says is true.
- What?
:52:22
That Oswald's really after Maria.
:52:24
Do you understand now
why I have to move out of here?
:52:30
And now for our program
of musical requests.
:52:35
We begin with the song
"When the Bells Do Brightly Ring."
:52:44
Were you very sad?
:52:46
Yes, but it was a consolation
to know you'd be sad, too.
:52:51
And that I can tell you everything.
:52:54
And that I'm pleased you don't ask me
what you don't have to ask.
:52:59
And that I'm going to build
a house for us,
:53:03
as you would have done.
:53:10
There's a Greek word
for people you let work for you.
:53:15
Translated, it means literally,
"footman."
:53:19
I'm your "footman"?
:53:23
No, that's not true.
I'm not your feet.
:53:25
Just say I'm your wife.
:53:27
It was a stupid analogy.
:53:30
You're Maria...
:53:32
and you're my wife.
:53:34
And we're not Greeks.
:53:36
No, you really couldn't say that.
:53:40
But you have courage.
:53:48
You're beautiful...
:53:52
and intelligent...
:53:57
and I love you.