:38:01
It's not a country that accepts
to pay much.
:38:05
We killed the industry
:38:07
by ignoring this type of directors
:38:11
and by praising others...
:38:15
Ruggero could shoot
a 40-million movie
:38:19
or even 50-million,
because he can manage finances.
:38:22
Most directors don't know
how to manage 2.
:38:30
I didn't know him before.
We became friends
:38:34
because the circumstances
of the movie helped us so.
:38:39
We were a small team,
:38:42
we were very few people,
we lived in the same...
:38:46
'hotels', even if we rather had
:38:50
bungalows.
:38:52
We were permanently in contact,
evening and morning,
:38:56
during meals, at night...
:38:59
Our initial contact
:39:04
quickly turned into
:39:07
simple friendship.
:39:09
We had the same objectives,
:39:12
we agreed on various solutions.
:39:16
Because of all this,
it was really interesting for me.
:39:23
I felt at ease.
:39:27
Since I began cinematography,
I have always been
:39:33
against the idea of calculating
everything with precision.
:39:37
Two plus two should have made
four but made five
:39:42
in order to come to
certain situations
:39:46
that at first looked strange
but which were actually
:39:50
deeply interesting.
:39:53
With Ruggero,
:39:55
we were on the same wavelength.
:39:59
He's not a diretor who
works through writing