:39:04
quickly turned into
:39:07
simple friendship.
:39:09
We had the same objectives,
:39:12
we agreed on various solutions.
:39:16
Because of all this,
it was really interesting for me.
:39:23
I felt at ease.
:39:27
Since I began cinematography,
I have always been
:39:33
against the idea of calculating
everything with precision.
:39:37
Two plus two should have made
four but made five
:39:42
in order to come to
certain situations
:39:46
that at first looked strange
but which were actually
:39:50
deeply interesting.
:39:53
With Ruggero,
:39:55
we were on the same wavelength.
:39:59
He's not a diretor who
works through writing
:40:03
as many others.
He improvises.
:40:06
And this improvisation
:40:09
helps the movie a lot.
:40:12
That brings him onto
unconventional paths,
:40:17
and so more interesting ones.
:40:21
Ruggero was a big surprise for me.
:40:26
Italy is a ...
:40:31
'shitty' country, let's say,
:40:35
where real professionals
are never taken seriously.
:40:39
Good-for-nothing were turned
into camera geniuses.
:40:42
I won't give any name because
I would be accused of polemics.
:40:46
Certain people don't know
where to put the camera.
:40:49
I did a lot of movies.
:40:51
A hundred for television,
about fifty for cinema.
:40:57
I met very few directors who were
'in charge', who knew.