:40:03
as many others.
He improvises.
:40:06
And this improvisation
:40:09
helps the movie a lot.
:40:12
That brings him onto
unconventional paths,
:40:17
and so more interesting ones.
:40:21
Ruggero was a big surprise for me.
:40:26
Italy is a ...
:40:31
'shitty' country, let's say,
:40:35
where real professionals
are never taken seriously.
:40:39
Good-for-nothing were turned
into camera geniuses.
:40:42
I won't give any name because
I would be accused of polemics.
:40:46
Certain people don't know
where to put the camera.
:40:49
I did a lot of movies.
:40:51
A hundred for television,
about fifty for cinema.
:40:57
I met very few directors who were
'in charge', who knew.
:41:03
Ruggero shoots with three cameras,
easily.
:41:07
He knows exactly what he wants,
he's very fast.
:41:11
He's a director of A series movies.
:41:15
I discovered he was
a great professional.
:41:18
And that, I never found again.
:41:22
When I see so many people
who are praised,
:41:26
crazies,
:41:29
who don't know how to use a camera,
who do travellings
:41:34
or use a crane without knowing
their real effect.
:41:39
Just to show that they can use it.
:41:43
I'm talking about people who received
prices at the Cannes Film Festival.
:41:47
Here, we're dealing with
a real professional.
:41:51
As Americans are.
:41:55
He's an old fox.
:41:58
He's competent,
and clever.