:16:01
- Put it on the table. It's terrible.
- I might forget it on the table.
:16:05
- Can't take him anywhere!
- How old were you guys when you met?
:16:08
About eight years old. Eight or nine.
:16:11
- You were eight and I was seven.
- That's right.
:16:15
Do you remember
the first song you wrote together?
:16:19
All The Way Home.
:16:20
- All The Way Home?
- Yeah.
:16:22
Can you remember it?
I'd love to hear it.
:16:25
Christ! Some black coffee,
maybe we could do it.
:16:28
How's it go?
:16:31
- I was standin'
- Beside the railroad track
:16:35
And I'm waitin' for that train
to bring you back
:16:38
Bring you back
:16:41
If she's...
If she's not on the 5.19
:16:45
Then I'm gonna
know what sorrow means
:16:47
And I'm gonna cry, cry, cry,
all the way home
:16:51
- All the way home
- All the way home
:16:54
- All the way home
- All the way home
:16:57
- Cry... cry, cry, all the way home.
- Cry, cry, cry, all the way home.
:17:01
There was about six words in it.
Just repeating them over and over again.
:17:05
Let's talk about your music today.
:17:07
One thing that puzzles me, um,
is the make-up of your audience.
:17:12
It seems to be predominantly young boys.
:17:17
Well, it's a sexual thing.
:17:18
Aside from
the identifying that the boys do with us,
:17:22
there's also, like,
a reaction of the female to our music.
:17:26
Really, they're quite fearful.
:17:28
They see us onstage with tight trousers...
:17:32
We've got, you know,
armadillos in our trousers.
:17:35
It's really quite frightening, the size.
:17:37
And... and they run screaming.
:17:40
VANDERMINT AUDITORIUM
Chapel Hill, North Carolina
:17:44
lan, can I have a word with you?
:17:47
Yes, of course. What?
:17:49
There are a couple of problems
with the arrangements backstage.
:17:54
- What exactly?
- Well, there are some problems here.
:17:57
I don't even know where to start.