:17:01
There was about six words in it.
Just repeating them over and over again.
:17:05
Let's talk about your music today.
:17:07
One thing that puzzles me, um,
is the make-up of your audience.
:17:12
It seems to be predominantly young boys.
:17:17
Well, it's a sexual thing.
:17:18
Aside from
the identifying that the boys do with us,
:17:22
there's also, like,
a reaction of the female to our music.
:17:26
Really, they're quite fearful.
:17:28
They see us onstage with tight trousers...
:17:32
We've got, you know,
armadillos in our trousers.
:17:35
It's really quite frightening, the size.
:17:37
And... and they run screaming.
:17:40
VANDERMINT AUDITORIUM
Chapel Hill, North Carolina
:17:44
lan, can I have a word with you?
:17:47
Yes, of course. What?
:17:49
There are a couple of problems
with the arrangements backstage.
:17:54
- What exactly?
- Well, there are some problems here.
:17:57
I don't even know where to start.
:18:00
- Sound check? What?
- No, no, no, no. This. Look.
:18:03
There's a problem with... Look. This.
:18:06
This miniature bread. I've been working
with this for about half an hour.
:18:10
I can't figure out... Let's say
I want a bite, right? You got this...
:18:14
- You'd like bigger bread?
- Exactly! I don't understand...
:18:17
You could fold this.
:18:19
- Then it's half the size.
- Not the bread. You fold the meat.
:18:22
- Then it breaks apart like this.
- No, you put it on the bread like this.
:18:27
- But if you fold it, it breaks.
- Why fold it?
:18:30
Everything has to be folded.
:18:32
And then it's this, and I don't want this.
I want large bread, so that I can put this...
:18:40
So then it's like this,
but this doesn't work because it's all...
:18:44
Because it hangs out?
:18:45
- Would you hold this?
- I wouldn't want to put that in my mouth.
:18:49
And then we move on to this. Look! Look!
:18:53
Who's in here? No one.
Then in here, there's a little guy.
:18:57
It's a complete catastrophe!
:18:59
You're right, Nigel,
but calm down, calm down.