:49:02
- That's attractive.
- This is your crab face.
:49:04
Give it a chance.
:49:06
- And this is...
- David, wait, please. Wait a minute.
:49:10
Have you any idea what it will cost
to dress up the band as animals?
:49:15
- Oh, it don't cost nothin'.
- They're not animals...
:49:18
It's a way to fight the drabs.
We've got the drabs.
:49:22
That's true. I think mine would look better
in Dubly. If it was done in Dubly...
:49:26
Shut up!
:49:28
- If you're not open-minded enough...
- David...
:49:31
There are solutions to our problems.
:49:34
- I think we know what they are.
- I've yet to hear them.
:49:37
We can take a rational approach.
We can say...
:49:40
- May I make a suggestion?
- Oh, let's hear your suggestion.
:49:44
Stonehenge. Stonehenge.
:49:47
Best production value we've ever had.
:49:49
But we haven't got the equipment.
We haven't got Stonehenge.
:49:53
Please, please. Just a moment.
:49:55
- Musically, we all know it.
- It's not a bad idea.
:49:58
No problems musically.
We go right onstage and it's quite simple.
:50:03
lan can take care of this.
:50:05
But we don't have
that piece of scenery any more.
:50:09
I know! So we build a new one.
:50:12
- And this is it.
- Consider it done.
:50:16
You're just gonna take care of it like that?
Using that as the plans?
:50:20
- Let's try.
- If you can do it, I'll do the number.
:50:23
Do you feel that,
in collaboration with David,
:50:25
that you are afforded the opportunity
to express yourself musically
:50:30
- The way you would like to?
- Well, I think I do, in my solos.
:50:33
My solos are my trademark.