:52:01
- Are you sure?
- I'm sorry.
:52:28
- - Yeah?
:52:33
- Hi.
- Hi.
:52:35
Um, Diane said they'd be a little late.
I'll let them know that you're here.
:52:49
You've really been avoiding me.
:52:51
I think you should leave
and go back to New York.
:52:54
I'd like to know what's going on.
:52:56
I'm having a hard time and, even
though she tries to hide it, Lane is, too.
:53:01
- Don't say that.
- She thinks about you all the time.
:53:04
- And you?
- Naturally, I think about you.
:53:09
And yet you avoid me.
:53:11
- Will you write Diane's biography?
- Believe it or not, I'm thinking about it.
:53:16
Why? What happened
to the book about your father?
:53:19
I know. I...
:53:21
It just isn't coming. I told you that.
:53:24
I've been beating my brains out
about it all summer long and I...
:53:28
I don't know. It's lifeless.
:53:31
And then I hear all these sensational
anecdotes and stories. You know?
:53:35
This woman's had an incredible life.
I mean, the shooting alone is a book.
:53:39
- Lane doesn't want it written.
- I'm not so sure.
:53:42
If I do it, I can protect her.
Somebody's gonna write it.
:53:45
Look, Peter, just put yourself
in her place for one minute.
:53:49
Here's this 14-year-old girl. Her mother
leaves her father, who Lane adored,...
:53:54
..and moves in with this thug, who beats
up Diane, and Lane ends up shooting him.
:53:59
It's completely wrecked her life.
You don't wanna put her through it again.