:49:04
To tell you
the truth,
:49:06
I don't know how
I'm doing this.
:49:09
Confidentially,
nothing like this
:49:10
has ever happened
to me before.
:49:12
I mean, nothing.
:49:13
Now I can't
turn it off.
:49:17
Is this him?
Is this you?
:49:19
- Yeah.
- Yeah.
:49:20
Huh. Cute.
:49:22
White,
but cute.
:49:24
What I don't
understand is,
:49:26
why did he come back?
:49:28
I don't know.
:49:29
Why is he
still here?
:49:31
He's stuck,
that's what it is.
:49:33
He's in between
worlds.
:49:34
You know,
it happens sometimes
:49:36
that the spirit gets
yanked out so quick
:49:38
that the essence
still feels
:49:40
it has work to do.
:49:41
Would you stop rambling?
:49:42
I'm just answering
her question.
:49:44
He's got
an attitude now.
:49:45
I don't have an attitude.
:49:47
Yes, you do
have an attitude.
:49:49
We're having
a little discussion.
:49:51
If you didn't have
a attitude,
:49:52
you wouldn't have
raised your voice.
:49:54
God damn it,
Oda Mae--
:49:56
Don't you god damn me.
:49:57
Don't you take
the Lord's name in vain.
:49:59
Would you relax?
:50:01
You relax.
You're the dead guy.
:50:03
Want me to help?
You apologize.
:50:05
Jesus Christ!
:50:06
I'm leaving.
:50:07
Nobody talks to me like that,
you understand?
:50:09
Now, you better
apologize.
:50:10
I'm sorry.
:50:12
I apologize.
:50:13
OK?
:50:14
Now, would you
sit down?
:50:17
Please?
:50:18
He's apologized.
:50:21
I need you to tell
Molly what I'm saying,
:50:24
but you have to tell her
word for word.
:50:27
Yes. He wants me to tell you
what he's saying
:50:30
word for word.
:50:37
Molly, you're in danger.
:50:39
You can't just
blurt it out like that.
:50:42
And quit moving around,
will you?
:50:43
You're making me dizzy.
:50:45
I'll just tell her
in my own way.
:50:47
Molly, you in danger,
girl.
:50:51
What are you
talking about?
:50:53
I know the man
who killed me.
:50:55
He knows
who killed him.
:50:56
His name's Willy Lopez.
I know where he lives.
:50:59
He's a Puerto Rican,
Willy Lopez.