:38:01
...could have fun with it.
:38:06
You know, just have
more fun with it, that's all.
:38:25
Fancy meeting you here.
:38:27
Neil Bleene, associate producer.
:38:30
l understand
my enjoyment levels are down.
:38:33
No, we felt the performance was fine.
:38:36
But you're holding something back.
:38:40
Holding something back?
:38:42
l've been in the theatre.
l'm actually a theatre director.
:38:46
Sometimes certain line-readings apply.
:38:49
Like in comedy, it is a rule.
lnflections go up at the end.
:38:53
That's a comedy rule?
:38:56
Well, not so much rule as guideline.
:39:01
You were very good in Public Domain.
What did you do there?
:39:05
Thanks. l rehearsed.
:39:09
l guess l don't take
criticism very well.
:39:11
But l mean, l've had one day
of work on this...
:39:14
...and two conversations about
what's missing in my performance.
:39:18
We're talking about
two minutes of film.
:39:20
Two minutes out of 90.
:39:23
ls it correctable?
:39:24
Oh, come on.
:39:26
lt's not as though you farted
during all your dialogue...
:39:30
...and we sat in rushes saying,
''What's that noise over her lines?''
:39:36
l'm so relieved.
:39:40
That analogy's bathed me in relief.
:39:44
Well, Neil, thank you very much for
the acting tips and the pep talk.
:39:49
My pleasure.
:39:51
-l'm feeling much more relaxed now.
-Good.
:39:56
Can't we put her in a girdle?
:39:59
Not with that dress. Maybe control-top
pantyhose, but it may not be enough.