:39:01
You were very good in Public Domain.
What did you do there?
:39:05
Thanks. l rehearsed.
:39:09
l guess l don't take
criticism very well.
:39:11
But l mean, l've had one day
of work on this...
:39:14
...and two conversations about
what's missing in my performance.
:39:18
We're talking about
two minutes of film.
:39:20
Two minutes out of 90.
:39:23
ls it correctable?
:39:24
Oh, come on.
:39:26
lt's not as though you farted
during all your dialogue...
:39:30
...and we sat in rushes saying,
''What's that noise over her lines?''
:39:36
l'm so relieved.
:39:40
That analogy's bathed me in relief.
:39:44
Well, Neil, thank you very much for
the acting tips and the pep talk.
:39:49
My pleasure.
:39:51
-l'm feeling much more relaxed now.
-Good.
:39:56
Can't we put her in a girdle?
:39:59
Not with that dress. Maybe control-top
pantyhose, but it may not be enough.
:40:04
All right, all right.
Anything. Just do something.
:40:07
We have to get her into pants, not
shorts. The tops of her legs are....
:40:12
Bulbous. She has cellulite.
:40:14
l wish we could get her
to stop eating so much.
:40:17
l guess having given up drugs,
she has to do something.
:40:20
You think we can get her
to start smoking?
:40:23
What are we going to do
about the bed scene?
:40:27
Cheat the angle, l presume.
:40:29
Her breasts are rather
out of shape, aren't they?
:40:34
lf you have her on her back,
as the script indicates...
:40:39
...her tits will move off
into her armpits.
:40:42
How very unpleasant.
:40:44
Well, perhaps you should
buy a camisole.
:40:47
l had no idea she was so
out of shape when l hired her.
:40:51
But we wouldn't have got her
if she was in her prime.
:40:54
lf you'll forgive me, with her
reputation she's lucky to have a job.
:40:59
She pretty much destroyed her career.
This is a break for her.