1:28:12
"Boardinghouse,
1:28:14
painted women,
1:28:16
and the burlyman..."
1:28:18
"Why'd you arrest him?"
1:28:19
"With one lightning move
with his mighty arms,
1:28:23
the burlyman..."
1:28:24
"She's a good woman..."
1:28:25
"I don't care what people say..."
1:28:30
"So, Burlyman,
we have to deduct those expenses
1:28:34
from your personal..."
1:28:36
"Don't you care for me
after all these years?"
1:28:40
Hold the line, sir.
I have your call.
1:28:42
Hello, operator!
I can't...
1:28:45
Oh, God.
1:28:50
Ahem. Hello?
1:28:51
Garland, it's me.
1:28:53
Barton?
1:28:54
Wh-What time is it?
1:28:56
Are you all right?
1:28:57
Yeah, I'm... I'm fine.
1:28:59
I have to talk to you, Garland.
1:29:01
I'm calling long-distance.
1:29:02
What is it, Barton?
Are you okay?
1:29:05
Yeah, I'm fine, Garland,
1:29:06
but we have to talk.
1:29:08
It's about what I'm writing.
1:29:10
I think...
1:29:11
it's really...
1:29:14
I think it's really big.
1:29:16
What do you mean, Barton?
1:29:18
Not big in the sense of large,
1:29:20
although it's that, too.
1:29:22
I... I mean important.
1:29:23
This may be
the most important work
1:29:26
I've ever done.
1:29:28
Barton, is everything okay?
1:29:30
You sound a little, um...
1:29:32
Sound a little what?
1:29:35
You sound a little, um...
1:29:37
Thanks, Garland.
1:29:39
Thanks for all the encouragement.
1:29:43
Nitwit.
1:29:50
[Typewriter Clacking]