:02:00
Everybody but one man.
:02:02
This man. Me.
:02:05
Where are you going?
Didn't you direct this?
:02:09
I just have to... One or two things.
Get out of this theatre!
:02:13
- Is anything wrong with your seat?
- It's facing the stage!
:02:17
It's going to be a disaster.
I can't just sit there and watch.
:02:38
Five seconds
and we still haven't got a laugh.
:02:42
I'm not running away. I just
don't like watching a car crash.
:02:47
Particularly when it's mine.
It's going to be a catastrophe.
:02:51
They'll forget their lines.
We won't get out of New York alive.
:02:55
There's pictures of us in the lobby.
I'll get on a plane.
:02:59
I should have done when we opened
in Des Moines, before we opened,
:03:04
at the dress rehearsal,
as soon as the curtain went up.
:03:08
As soon as the damned phone rang
and Dotty came on with the sardines.
:03:15
Hold on! Hold your horses!
:03:20
Oh, Lord love a duck!
Shut up! I'm on my way.
:03:24
It's no good you going on. I can't
open sardines and answer the phone.
:03:30
I've only got one pair of feet. Hello?
:03:33
Yes, but there's no one here, love...
No, Mr Brent's not here.
:03:38
He lives here, yes, but not now
because he lives in Spain.
:03:42
Yes, Philip Brent, who writes plays,
only now he writes them in Spain.
:03:47
She's in Spain, too. They all are.
:03:50
Am I in Spain? No, I'm not in Spain.
I look after the house for them.
:03:55
Only I go home at one on Wednesdays,
so that's where I am.
:03:59
No, because I've got a nice plate
of sardines to put my feet up with.