:07:01
- Right, Lloyd?
- Beautifully put.
:07:04
We're playing Des Moines,
then Pittsburgh,
:07:08
then God knows where
and we're all feeling, you know?
:07:12
- Aren't you?
- Sorry?
:07:14
Garry, you're off.
:07:16
- Sorry, Lloyd, but...you know?
- I know.
:07:19
- Thanks, Lloyd.
- So you're off...
:07:22
Lloyd, let me just say one thing.
:07:24
I've known many directors,
some geniuses, some bastards,
:07:28
but I've never met one
who was so totally...I don't know.
:07:33
Thank you, Garry, I'm very touched.
Now get off the fucking stage.
:07:38
- And Brooke?
- Yes?
:07:40
- Are you in?
- In?
:07:42
- Are you there?
- What?
:07:44
You're out. OK, I'll call again.
:07:47
And on we go.
:07:49
So, there you are,
holding the receiver.
:07:52
I hold the receiver. I hang it up.
I leave the sardines.
:07:56
- Always the same story...
- And you take the newspaper.
:08:01
I take the newspaper.
I leave the sardines.
:08:04
A weight off your mind,
a load off your stomach.
:08:08
- And off I go at last.
- Leaving the receiver.
:08:17
My housekeeper, yes, but...
:08:20
And noises off. Stage!
:08:25
This is her afternoon off,
so we've got the place to ourselves.
:08:30
- Wow!
- I'll just check.
:08:32
Hello? Anyone at home?
There's no one here.
:08:36
- What do you think?
- Great! It's all yours?
:08:39
Just a shack in the woods.
Converted mill, 1 6th century.
:08:43
- Must have cost a bomb.
- Ideal for business.
:08:47
Someone's coming at 4.00. Arab. Oil.
:08:49
I've got to get those files
to Basingstoke by 4.00.
:08:53
We'll just manage to fit it in...
Do it...
:08:56
- Right.
- We won't chill the champagne.
:08:59
- All these doors!
-Just a handful.