Bullets Over Broadway
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:25:01
- I-l don't like--
- Hey, hey, who are you? Who are you?

:25:04
- Whoa, whoa. Easy.
- I'm the director.

:25:06
- Who is this?
- Wait a minute.

:25:08
- I'm the director of the play.
- Wait a minute, Mr., uh--

:25:11
- Cheech. The name's Cheech.
- Mr. Cheech, first of all--

:25:14
- No, not Mr. Cheech. Ya hear me?
- Yeah.

:25:17
- Cheech. Simple. Cheech.
- Cheech.

:25:20
Now, why don't you just take a seat
in the back and we'll-- Yeah, go ahead.

:25:24
- That's it.
- I find this very problematic.

:25:27
- I'll be over there.
- He'll be unobtrusive, believe me.

:25:29
He's not gonna bother anybody.
He just wants to watch.

:25:33
He's my bodyguard.
[ Giggles ]

:25:36
- Hi.
- Hello.

:25:38
- Sorry I'm late.
I'm usually highly professional.
- Oh, I'm sure.

:25:43
- This is for you.
- Oh, talcum powder. My favorite.

:25:47
- Thank you. You're a doll.
- Oh, no, you're a doll.

:25:51
[ David ] Helen Sinclair came a half
hour late, but she had a good excuse.

:25:55
Please forgive me.
My pedicurist had a stroke.

:25:58
She fell forward onto the orange stick
and plunged it into my toe.

:26:02
- It required bandaging.
- Oh, my poor darling.

:26:05
Oh, it's so good
to see you.

:26:07
- We all know and admire Helen Sinclair.
- [ Warner ] We're old friends.

:26:10
- Thank you so much.
- Miss Sinclair, this is Mitch.

:26:13
Oh, yes, yes. Oh, my goodness' sake.
I can't believe I'm here.

:26:18
Oh-ho, look at this.
Look at this. Would you look?

:26:22
Oh, this old theater.
:26:27
This church.
:26:30
So replete
with memories.

:26:32
So full of ghosts.
:26:36
Mrs. Alving.
:26:38
Uncle Vanya.
:26:41
There's Cordelia.
:26:44
Here's Ophelia.
:26:48
Clytemenstra!
:26:52
Each performance
a birth.

:26:56
Each curtain...
:26:58
a death.

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