:33:02
[ LiveIy piano music pIays ]
:33:05
[ Bertrand Iaughs, sings ]
:33:14
HeIIo, Maurice.
:33:17
I say, I had no idea
phiIosophers danced Iike that.
:33:20
The most hated man in London.
What do you know?
:33:23
He's been very good to us.
:33:25
We couIdn't have done
without him.
:33:27
I've come to say goodbye, Tom.
:33:29
Just had orders.
:33:31
- GaIIipoIi next.
- I envy you.
:33:33
Yes. WeII, you did try.
:33:34
If they wouIdn't have you,
weII, it's their Ioss.
:33:37
PhysicaIIy unsound.
:33:39
That's me, Maurice.
:33:41
[ Vivienne giggIing ]
:33:45
[ M usic quiets ]
:33:48
PIease.
:33:53
A cigarette?
:33:54
Yes, pIease.
:34:00
[ Lighter cIicks ]
:34:05
[ ExhaIes sIowIy ]
:34:07
So, how's the oId
poetry business?
:34:10
Oh, it isn't a business.
It's a mug's game.
:34:13
I n fact, I've been thinking
about getting a reguIar job.
:34:17
Gosh.
:34:18
WeII, it's advisabIe
for a poet to have --
:34:21
to Iead a commonpIace Iife
if he's to do his work.
:34:25
Yes, yes.
:34:27
WeII. . .
[ CIicks tongue ]
:34:29
I must say,
:34:30
I can't quite get used to
having a poet in the famiIy,
:34:33
sort of married to my own
big sis and such.
:34:35
Fraterus.
:34:36
What?
:34:37
A brother-in-Iaw.
:34:39
Ah. Sorry.
:34:40
My Greek's not up to much.
:34:42
It's Latin.
:34:43
Ah.
:34:44
SqueIch.
:34:49
Listen, Tom. . .
man to man. . .
:34:53
there isn't anything awfuI
:34:55
between you and Viv,
is there?
:34:58
Nothing.