:38:01
The readiest way to make
the wench amends...
:38:04
...is to become her husband
and her father.
:38:09
SCHOLAR 3: This language is
the language of thoughts.
:38:13
To do this in the theater,
you must speak loud.
:38:16
There are very few actors who can
speak loud and still be truthful.
:38:21
That's the actor's problem.
:38:22
Every actor knows the quieter he is,
the closer he can be to himself.
:38:26
When you play Shakespeare...
:38:29
...in close-up, in a film...
:38:31
...and have a mike
and can really speak the verse...
:38:34
... as quietly as this, you are not going
against the nature of verse.
:38:39
You're going in the right direction
because you're allowing the verse...
:38:44
...to be a man speaking his inner world.
:38:50
RYDER:
Set down...
:38:52
...set down your honourable load...
:38:58
...if honour may be shrouded in a hearse.
:39:04
PACINO: Was ever woman
in this humour woo'd?
:39:10
Was ever woman in this humour won?
:39:20
I'll have her.
:39:22
I'll have her.
But I will not keep her long.
:39:26
He says he'll have her...
:39:28
...but he will not keep her long.
HADGE: You're asking why he wants her?
:39:33
Well, I think it's clear,
he's out to get this girl.
:39:37
To take her...
:39:41
...in her heart's extremest hate.
:39:43
[PACINO GROANS]
:39:45
He's killed her husband
in the civil war.
:39:49
Tears in her eyes!
:39:53
And murdered her father-in-law.
:39:55
The bleeding witness of my hatred by.