1:01:27
Got to concentrate.
1:01:29
Got to concentrate,
Katharine.
1:01:30
Got to practice,
practice, practice,
1:01:33
because there's 3 important
things Professor Parkes says,
1:01:36
and that's work, work, work.
1:01:37
And--and, uh, so that's
what I have to do...
1:01:40
if I'm, uh, going to make the
finaIs to the Concerto MedaI,
1:01:44
because the winner,
1:01:46
which gets to pIay
at the RoyaI AIbert HaII,
1:01:48
which is right outside
the window.
1:01:50
I--I bought a piano,
Katharine.
1:01:53
A beautifuI piano.
1:01:55
It's a suffering piano,
Iike yours.
1:01:59
I--I wrote to Daddy,
1:02:02
so, uh, that's a positive.
1:02:04
It's a positive, isn't it?
1:02:06
Because, weII, it seems to be,
because he didn't write back,
1:02:09
but, um, uh...
1:02:29
Now, how on Earth...
1:02:30
did we manage to get into
the finaIs, David?
1:02:32
You're a conductor's
nightmare.
1:02:34
It's true, it's true.
1:02:36
And what are we
going to do?
1:02:38
We're going to win, actuaIIy,
Robert. We're going to win.
1:02:43
Rachmaninoff?
Are you sure?
1:02:47
Uh, kind of.
1:02:49
I'm never reaIIy sure
about anything, Mr. Parkes.
1:02:53
The Rach 3.
1:02:56
It's monumentaI!
1:02:58
It's a mountain.
1:02:59
It's the hardest piece
you couId Everest pIay.