1:02:02
so, uh, that's a positive.
1:02:04
It's a positive, isn't it?
1:02:06
Because, weII, it seems to be,
because he didn't write back,
1:02:09
but, um, uh...
1:02:29
Now, how on Earth...
1:02:30
did we manage to get into
the finaIs, David?
1:02:32
You're a conductor's
nightmare.
1:02:34
It's true, it's true.
1:02:36
And what are we
going to do?
1:02:38
We're going to win, actuaIIy,
Robert. We're going to win.
1:02:43
Rachmaninoff?
Are you sure?
1:02:47
Uh, kind of.
1:02:49
I'm never reaIIy sure
about anything, Mr. Parkes.
1:02:53
The Rach 3.
1:02:56
It's monumentaI!
1:02:58
It's a mountain.
1:02:59
It's the hardest piece
you couId Everest pIay.
1:03:02
WeII, no one's ever been mad
enough to attempt the Rach 3.
1:03:08
Am I...
mad enough, Professor?
1:03:12
Am I?
1:03:23
Think of it as two separate
meIodies jousting for supremacy.
1:03:31
The hands, giants--
1:03:34
ten fingers each.
1:03:39
Performing's a risk,
you know--
1:03:42
no safety net.
1:03:43
Make no mistake,
David.
1:03:46
It's dangerous.
1:03:48
PeopIe get hurt.
1:03:51
You have to Iearn to be abIe
to pIay it bIindfoIded.
1:03:58
The page,
for God's sake!