:20:00
and keep it focused
on that upstairs window.
:20:02
Right.
:20:09
- Yeah.
- Theodore Handy?
:20:12
- Yeah!
- This is John Potter, FBI.
:20:15
I'd like to talk to you, Ted.
Can I call you Ted?
:20:18
Well, you got us surrounded...
:20:20
you got a lot of goons
up there in the trees with guns...
:20:22
you can pretty much call me
whatever you want to.
:20:25
Ted, this is a real tense situation.
:20:28
No, I'm not tense, I'm not tense at all.
In fact, I'm really relaxed...
:20:32
'cause I'm getting ready to shoot
one of these little kids.
:20:34
Ted, I don't think you want to kill anybody.
:20:37
- Do you go by Jack?
- John, actually.
:20:39
Okay, Jack, now what makes you think...
:20:41
that I'm not going to shoot myself
one of these kids?
:20:44
'Cause if you do that...
:20:45
I have to conclude
that you plan to kill all of them.
:20:47
That's when we come in and take you out.
:20:49
Bullshit! That's bullshit.
There's no way you're going to take...
:20:53
a chance at coming in here
and shooting one of these kids.
:20:55
I'm asking you not to kill anyone, Ted.
Can I have your word on that?
:21:00
Well, I don't know, Jack.
Should I or shouldn't I?
:21:03
Like, should I or shouldn't I?
You know how that happens sometimes...
:21:06
you just can't make up your fucking mind?
:21:13
Mr. Potter, I'm Constance Stanley
from Laurent Clerc school.
:21:17
We've been anxious for you to get here.
:21:20
How are they?
:21:21
They're all still alive, as far as we know.
:21:25
- You brought the profiles?
- Yes.
:21:28
Here, please sit down.
:21:32
- The young teacher?
- Melanie Charrol.
:21:36
She signed something to me
from the window.
:21:44
I'm sorry, it's not funny. It's just that
you're making the sign for drink.
:21:48
Could it have been this?
:21:50
- That's it.
- That's the sign for help.
:21:54
- That makes sense, she wants help.
- Right.
:21:56
But if you're doing it correctly,
then she wasn't saying, "You help. "
:21:59
She was saying, "Help you. "