1:32:01
- You need help.
- You don't need to sit here.
1:32:05
Fine. I'm outside.
1:32:06
- I'll do this.
- You're in the shithouse.
1:32:09
Don't leave the building!
1:32:11
Everybody will know if I get mad!
Sit!
1:32:14
You're erasing everything we built!
You've buried yourself!
1:32:23
Larry, can I talk
to that guy from Texas?
1:32:27
- You all set?
- Yes. It's all set.
1:32:29
I've got to talk to you.
1:32:31
She should have something
more upscale.
1:32:34
New York isn't happy you're
going on without checking.
1:32:38
Brackett is a freelancer.
He's not with the network. Don't worry.
1:32:42
They need to know
what you're planning on.
1:32:45
The networks are leading
with Larry King.
1:32:48
Tomorrow they'll be leading
with my stuff.
1:33:03
Good evening from Madeline,
where the eyes of the nation...
1:33:07
...remain fixed on the events taking
place inside this museum.
1:33:12
But the real story I've uncovered
is even more troubling.
1:33:16
Quiet!
1:33:17
I saw the unconventional
relationship between a reporter...
1:33:21
... and his subject, and worried.
1:33:24
As I learned more about Sam Baily's
personality, I worried even more.
1:33:29
The testimonies were not reassuring.
1:33:32
He's really a sweet boy.
1:33:35
He's confused,
but all he's trying to do is get by.
1:33:39
Sometimes he screws things up
because he's...
1:33:42
You could say he's pretty weird.
1:33:44
- Does he have a temper?
- I don't know that guy.
1:33:48
- I've seen him have a temper.
- You say he's dangerous.
1:33:51
Dangerous, yeah. Dangerous.
1:33:54
This confused and dangerous man...
1:33:56
... is being advised by a reporter.
1:33:59
Things are breaking down in there.