1:33:03
Good evening from Madeline,
where the eyes of the nation...
1:33:07
...remain fixed on the events taking
place inside this museum.
1:33:12
But the real story I've uncovered
is even more troubling.
1:33:16
Quiet!
1:33:17
I saw the unconventional
relationship between a reporter...
1:33:21
... and his subject, and worried.
1:33:24
As I learned more about Sam Baily's
personality, I worried even more.
1:33:29
The testimonies were not reassuring.
1:33:32
He's really a sweet boy.
1:33:35
He's confused,
but all he's trying to do is get by.
1:33:39
Sometimes he screws things up
because he's...
1:33:42
You could say he's pretty weird.
1:33:44
- Does he have a temper?
- I don't know that guy.
1:33:48
- I've seen him have a temper.
- You say he's dangerous.
1:33:51
Dangerous, yeah. Dangerous.
1:33:54
This confused and dangerous man...
1:33:56
... is being advised by a reporter.
1:33:59
Things are breaking down in there.
1:34:02
Let's get ready to move.
1:34:05
In his effort to tell
a more compelling story...
1:34:09
... he may have increased the danger
in an already critical situation.
1:34:14
I hoped my suspicions were wrong.
Sadly, they were right.
1:34:18
Mr. Baily is sincere in his offer.
1:34:20
Things will become unstable
if you don't grant him this.
1:34:25
Two little girls were set free,
supposedly at the behest of Baily.
1:34:30
But tapes of conversations tell different.
1:34:33
- Give them two.
- I said one.
1:34:35
You shot a black man.
People will make an issue.
1:34:38
Show kindness.
It's harder to play the race card.
1:34:41
A story placing a colleague
in an unfavorable light...
1:34:45
...is not one I want to tell.
- Kevin's the best.
1:34:48
We had to improvise
after Brackett sold us out.
1:34:52
Here he is.
1:34:53
Sir, first indications are
that the numbers are high.
1:34:57
There are children inside,
held hostage at gunpoint.