:31:00
and he would have to do
particular writing things for me,
:31:03
not for anybody else.
:31:05
I was ordered to write that script.
I didn't want to do it.
:31:08
I hated video.
:31:09
The most famous one
is every time that we had sex,
:31:13
not necessarily S & M,
but actual intercourse,
:31:15
I would tell him,
"You have to write about it."
:31:18
That was for a year.
That journal was kept.
:31:20
After three hours of writing
I asked for permission
:31:23
to come back to bed where we slapped
and licked each others' assholes.
:31:26
And I get spanked and bleed a little
:31:28
and we fucked, boy,
we did fuck.
:31:30
Every time Bob would get into
some kind of position--
:31:33
I would have him in the closet,
in the bed or wherever--
:31:36
I ran for my camera
and started photographing it.
:31:39
Again it was my urge
to document what was going on.
:31:43
He had told me a fantasy
he had of being hit
:31:47
with a lot of different implements
and photographing that.
:31:50
So we set up this whole elaborate set-up
with camera and bulb release.
:31:55
We had a backdrop
and I had him in bondage.
:31:58
Sometimes I had the bulb in one hand
and the whip in the other.
:32:03
Sometimes Bob had the bulb
:32:05
and each time he got hit
that's when we snapped it.
:32:16
Overall I think
we did 15 different implements--
:32:19
36 shots each.
:32:25
I find that I don't have
that power over him anymore.
:32:28
He is now sort of coming to his own
as a visual artist.
:32:31
My influence over him in that way
:32:35
is not nearly as much as it was
in the early beginning stages of it.
:32:38
Don't you collaborate
in his performances?
:32:43
We totally collaborate.
It's a real interesting process.
:32:50
- All right Bob, enough?
- Keep going.
:32:53
Don't make it phony, just do it.
:32:57
Up higher. Tighter.
:32:59
Head up a little bit.