:47:00
- Have you got change for a dollar?
- What?
:47:03
Fuck you! Fuck you!
Fuck you, man! Fuck you!
:47:10
Well, then, there I was.
:47:12
Ms. Dinsmoor, as my secret benefactor,
sent me to New York to draw.
:47:17
To have the girl, to have it all.
:47:20
And I looked out on the great city,
as so many before, which held it all.
:47:25
And it was that close,
and it was mine.
:47:29
"Liebchen, guten Morgen." Are you still
holding the red and green Picasso?
:47:36
I think I have somebody interested.
No, I can't say right now.
:47:41
Just the Picasso.
Fabelhaft. Danke.
:47:48
Here's where you
show me your work, darling.
:47:52
- I told you, I don't have any.
- Then you'd better get busy.
:47:56
Why am I here?
You saw some slides?
:48:01
I gave Keith Haring a show
after he drew a sketch in my hand.
:48:05
But which paintings did you like?
:48:08
I saw the beginning of something,
and here you are.
:48:12
Annette, Sotheby's.
:48:14
What you do is up to you. Stay and
paint or enjoy the sights and go home.
:48:21
Either way, I always enjoy
meeting a young painter.
:48:25
Look, I mean, I'll do it.
:48:30
I said that I'll do the paintings.
:48:35
Wonderful. Call Marcy
when you have something for us.
:48:50
And I could still draw.
:48:52
Nothing had lessened it as much
as I had abused it, abandoned it.
:48:56
It was a gift, and it was still mine.