:31:04
- Really? He just told you that?
- Yes.
:31:06
And you can't say anything,
'cause he actually swore me to secrecy.
:31:09
- Why did she kill herself?
- Well, there are the stillborn children,
:31:11
although I like to think
it was more sinister,
:31:13
Like maybe Hugh Crain was
a horrible monster and drove her to it.
:31:16
Monster? But he built this house
for the woman that he loved,
:31:18
Like the Taj Mahal.
:31:20
The Taj Mahal wasn't a palace.
It was a tomb.
:31:23
And equally overdone.
:31:26
- Why didn't he tell us?
- Maybe he doesn't trust women.
:31:29
Yeah.
I think that's probably it.
:31:31
I think he knew that your fragile,
delicate sensibilities...
:31:35
After all, you know, I'm a man.
I can handle this kind of...
:31:39
How'd she kill herself?
:31:41
He didn't say.
:31:44
Oh, and ladies,
sleep tight.
:31:52
Jesus.
:31:54
After dinner and the first bland history
of Hill House successfully relayed,
:31:58
Miss Vance appears most susceptible
to suggestive history,
:32:02
evincing a strongly sentimental reaction
to the love-story component.
:32:06
Mr. Sanderson, who tested at the bottom
of the Mogel Reliability Scale,
:32:09
was given the second part
of the story.
:32:12
When he passes the story on,
the experimental haunting fiction...
:32:16
should manifest itself
within the group.
:32:24
And dear Mary
almost lost an eye.
:32:56
I like the way
you comb your hair like that.