:12:00
I have some bad news.
:12:02
I can't make it to your opening
at the gallery.
:12:05
I did my best, but Olivia's been planning
this benefit for months.
:12:08
That's okay.
:12:16
-I'm sick about the whole thing.
-It's all right, Charles.
:12:21
So who's gonna be there?
:12:23
Charles, don't start.
:12:25
It's a perfect opportunity...
:12:27
...for one of these clowns you dated
to try to get back in.
:12:30
Charles, come on.
:12:31
What about that guy from art school...
:12:33
...the one who paints world flags
on people's asses...
:12:37
...and then he photographs it?
:12:39
I hate that guy.
:12:40
Not to mention Kevin Cartwright...
:12:42
...with his big, grotesque muscles...
:12:44
...and his Mr. Nice Guy act and his....
:12:51
Kevin. It's so good to see you.
I got a little cold.
:12:57
Great game last week.
:12:59
-Congratulations on the new contract.
-Thanks.
:13:02
I'll use these big, grotesque muscles
to load this stuff in the van.
:13:06
See you at the gallery.
:13:09
Charlie, you look good.
You been working out?
:13:12
Thanks, Kevin. You're a lifesaver.
:13:22
Imagine a dome, flanked by four
sky-lit pyramids on either side.
:13:26
What Oscar and I see is a convergence
of two classical styles...
:13:30
...with an interplay--
:13:32
Mr. Newman, I'd like
to say at this juncture...
:13:34
...how grateful we are for this opportunity.
:13:37
I mean, we're excited and indebted.
:13:40
Oscar, you might want to...
:13:41
...save some of your dignity
for later, in case you need it.
:13:45
I'm just telling him how thrilled we both--
:13:47
I appreciate your loyalty, Oscar.
:13:49
It's a rare commodity these days.
:13:53
Can I talk to you for a moment privately?