:13:02
I'll use these big, grotesque muscles
to load this stuff in the van.
:13:06
See you at the gallery.
:13:09
Charlie, you look good.
You been working out?
:13:12
Thanks, Kevin. You're a lifesaver.
:13:22
Imagine a dome, flanked by four
sky-lit pyramids on either side.
:13:26
What Oscar and I see is a convergence
of two classical styles...
:13:30
...with an interplay--
:13:32
Mr. Newman, I'd like
to say at this juncture...
:13:34
...how grateful we are for this opportunity.
:13:37
I mean, we're excited and indebted.
:13:40
Oscar, you might want to...
:13:41
...save some of your dignity
for later, in case you need it.
:13:45
I'm just telling him how thrilled we both--
:13:47
I appreciate your loyalty, Oscar.
:13:49
It's a rare commodity these days.
:13:53
Can I talk to you for a moment privately?
:14:00
You know, you're quite a guy,
Oscar Novak.
:14:04
''Novak.'' That's Hungarian, right?
:14:07
Great.
:14:09
You know, Lenore told me about....
:14:12
Anyways, I told her I think it's great
to have people of your...
:14:17
...background working for me.
You and Peter.
:14:20
Peter isn't.
:14:22
He isn't?
:14:23
No. I am, though. 100 percent.
:14:27
I see.
:14:28
You'd be surprised
how many of us there are.
:14:31
Whatever. It doesn't bother me.
:14:35
Can I be honest with you?
:14:38
I'm married.
:14:41
Well, how nice for you.
:14:43
I also have a girlfriend.
:14:46
Great.
:14:47
Amy is an amazing woman.
:14:50
Artist.
:14:51
Impulsive. Unpredictable.
:14:54
A free spirit.
:14:56
Tonight she opens an exhibit of her work.
:14:59
I can't be there.