:24:00
iusedto know
:24:04
where the treetopsgiisten
:24:09
andchiidren iisten
:24:13
to hearsieigh beiis in thesnow
:24:21
oh, i'm
:24:24
dreamin 'ofa white
:24:27
- fades
- i have to askyou something.
:24:29
- what?
- oh, god. oh, god.
:24:33
i don't know how to askyou this.
exhales
:24:35
-just ask.
- i wouldn't blame you for saying no.
:24:38
as a matter offact,
i already expect you to say no.
:24:41
but i need your help
on something.
:24:44
aah! we're gonna be miiiionaires!
ican't beiieve this!
:24:48
i have to admit, i thought
it would be a slightly harder sell.
:24:57
all right, most important thing...
:24:59
is getting alone
with that machine...
:25:02
five minutes before and
five minutes after the broadcast.
:25:04
- that's key.
- that's askey asit gets.
:25:07
five minutes before, five after.
did you hear that, crstal?
:25:11
i'm two inches away.
how could i not hear it?
:25:13
start taking notes, 'cause when
gig and i start hashing it out,
:25:16
there's gonna be gold flying around,
and i don't want to miss any of it.
:25:19
- the fi rst piece of gold is this.
- yeah.
:25:22
i think someone should call in
a bomb scare.
:25:24
then the buiidinggets evacuated,
andi'm aione with the iotto baiis.
:25:29
okay? are you writing this down?
:25:31
- when we decide, i'll write it.
- it's good, right?
:25:34
russ, um, forgive me.just a second.
:25:38
you call in a bomb scare,
they evacuate the building,
:25:42
and shut down the broadcast.
:25:44
right, then the firemen wiii come...
:25:46
and then the policemen will come,
so kind ofa lame idea, you know?
:25:50
all right.jeez. it'sjust an idea.
:25:53
it's a work in progress,
for god's sake.
:25:55
even a painter's got to
take the brushes and clean 'em.
:25:59
- whatever that means.
- any better ideas, smarty-pants?