1:18:06
Isn't it more difficult to control?
Isn't there more of a possibility of...
1:18:09
...getting too much paint,
splattering, or any number of things?
1:18:15
No, I don't think so.
1:18:19
With experience,
it seems possible to control...
1:18:24
...the flow of the paint to a great
extent, and I don't use--
1:18:31
I don't use the accident
'cause I deny the accident.
1:18:36
Did you see
the Magazine of Art review?
1:18:38
It was a public recant,
a complete switcheroo.
1:18:42
Five years ago, he called
Pollock's work " baked macaroni."
1:18:46
Now he says,
"An impregnable language of image...
1:18:50
...beautiful and subtle
patterns of pure form."
1:18:55
Come on. Hold it, Mom.
1:19:03
- You all made it.
- Yeah, we made it.
1:19:05
How was it?
1:19:06
- Hi, Elizabeth.
- Hi.
1:19:08
You must be Jeremy.
1:19:10
Dad drove 100 miles an hour
all the way from L.A.
1:19:14
- How are you?
- How you doing? It's nice to see you.
1:19:17
- Hi, Charles.
- Hi, Jack.
1:19:19
- Hi.
- Hi.
1:19:22
- How are you, Karen?
- Nice to meet you. Yes.
1:19:32
Hi, Mom.
1:19:33
It's so nice to have
all my boys together.
1:19:37
I'm so glad everybody's here.
1:19:39
How you doing?
How was the trip?
1:19:42
He's so heavy.
Thank you, here you go.
1:19:55
I miss you, you son of a bitch.
I miss you. It's just not the same.