Pollock
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1:19:03
- You all made it.
- Yeah, we made it.

1:19:05
How was it?
1:19:06
- Hi, Elizabeth.
- Hi.

1:19:08
You must be Jeremy.
1:19:10
Dad drove 100 miles an hour
all the way from L.A.

1:19:14
- How are you?
- How you doing? It's nice to see you.

1:19:17
- Hi, Charles.
- Hi, Jack.

1:19:19
- Hi.
- Hi.

1:19:22
- How are you, Karen?
- Nice to meet you. Yes.

1:19:32
Hi, Mom.
1:19:33
It's so nice to have
all my boys together.

1:19:37
I'm so glad everybody's here.
1:19:39
How you doing?
How was the trip?

1:19:42
He's so heavy.
Thank you, here you go.

1:19:55
I miss you, you son of a bitch.
I miss you. It's just not the same.

1:20:01
Nothing was ever the same
to begin with.

1:20:04
- What do you think?
- Shangri-la.

1:20:07
- Everybody okay down there?
- You hit the big time, Jack.

1:20:11
How many did you sell
from that November show?

1:20:14
It was the best show I ever had.
It all goes to the house.

1:20:17
I'm buying the acreage next door,
put up a studio for Lee.

1:20:21
Free up the upstairs bedroom,
give her more space.

1:20:24
He articulated the profundity
of Jackson's art...

1:20:27
...more eloquently than anyone has.
1:20:29
- How are they?
- Mother's reading Peter Pan.

1:20:32
This one is from
the most recent Art News.

1:20:35
- Story about a boy who never grew up.
- Another rave.

1:20:38
I can't wait to see what he
says about Jackson's next show.

1:20:42
I'm not sure I always get it, Jack.
1:20:44
I'm the only painter
worth looking at in America.

1:20:48
- I expect that's true.
- This guy wants to make a film on me.

1:20:51
- Why?
- Well, they made one on Calder.

1:20:55
I have a show coming up
at the Circle Gallery.

1:20:58
I'm exhibiting under the name
Charles Pima.


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