:27:00
I don't know
much about clothes
:27:06
I'm not up on clothes
:27:09
It's cute
:27:19
Are you shooting...
:27:21
It's moving
:27:39
Happy?
:27:42
Happy on the train?
:27:47
Happy on the train with you
:27:58
I've never been here
:28:04
The unknown
:28:07
Yeah, it's exciting
:28:08
The streetcar is a perfect means
of escape from the tedium of my days
:28:13
The scenery flows by cinematically
The sound effects are punctual
:28:17
My fantasy about her expands
:28:20
I won't be bored for some time
:28:22
Our idle routine, the days I spend
with her, like a lukewarm bath,
:28:27
her faint smile,
all seem to agree with me
:28:31
Each day, a countdown
towards death
:28:35
I dare not risk negligence
:28:36
All the more reason
to film her, I think
:28:40
lmages, especially animation,
:28:43
simply embody our
personal and collective fantasies,
:28:46
manipulating selected information,
and fictional constructs
:28:50
Even live-action film, recording
actuality, does not correspond to reality
:28:56
Conversely, reality, co-opted
by fiction, loses its value