:28:04
The unknown
:28:07
Yeah, it's exciting
:28:08
The streetcar is a perfect means
of escape from the tedium of my days
:28:13
The scenery flows by cinematically
The sound effects are punctual
:28:17
My fantasy about her expands
:28:20
I won't be bored for some time
:28:22
Our idle routine, the days I spend
with her, like a lukewarm bath,
:28:27
her faint smile,
all seem to agree with me
:28:31
Each day, a countdown
towards death
:28:35
I dare not risk negligence
:28:36
All the more reason
to film her, I think
:28:40
lmages, especially animation,
:28:43
simply embody our
personal and collective fantasies,
:28:46
manipulating selected information,
and fictional constructs
:28:50
Even live-action film, recording
actuality, does not correspond to reality
:28:56
Conversely, reality, co-opted
by fiction, loses its value
:29:00
"The inversion of
reality and fiction"
:29:04
None of this matters
to me anymore
:29:07
My consciousness,
my reality,
:29:10
my subject,
all converge in her
:29:14
Certainly, she longs
to escape into fantasy
:29:17
Certainly, I long
to escape from fantasy
:29:21
I wanted to keep a visual record
of these contradictory phenomena
:29:25
But, my behavior is really
no more than an excuse
:29:29
for my inability to communicate
except through images
:29:39
This is the way to
the mystery basement
:29:42
No trespassing
Because the camera is prohibited,
:29:47
I cannot show you anymore
Your pardon
:29:52
Outside circumstances
:29:55
force me to omit the 1st through
the 7th floors