:28:02
The La-Z-Boy goes.
:28:04
- Hi, Sherry. Where do you want it?
- In the living room.
:28:07
- And we have thirteen at table.
- We don't have thirteen.
:28:10
Bob Barrenger, Claire Wellesley,
the director.
:28:12
Then, you can
invite someone else.
:28:13
I don't want to.
This is the most exclusive dinner...
:28:16
Do whatever makes you happy.
:28:19
I'll be back
with the butter churn.
:28:21
And we need a blender bus.
:28:23
That woman's gone crazy
about this dinner party.
:28:26
George, I want
a city council meeting.
:28:30
City council?
Doug, the traffic light...
:28:33
Fuck the traffic light.
:28:34
I'm talking about three percent of
the adjusted gross of a major movie
:28:41
Hi...
:28:42
I love your script.
:28:45
- What?
- You're still here.
:28:47
- Morning, Annie.
- See you at rehearsal tonight.
:28:50
'In the name of justice, sir,
I bid you pause, for she is our queen. '
:28:54
That's very good.
:28:55
In fact...
:28:56
I'm not sure if I gave them a second
chance or they're giving it to me.
:29:00
That's the truth.
The truth's best, don't you think?
:29:03
You'd know better than me.
:29:05
How can you say that?
:29:07
It's in your script.
:29:09
It's about getting
a second chance, isn't it?
:29:12
- 'You can go back. '
- How do I...
:29:15
How do I do a film called The Old Mill
when I don't have an old mill?
:29:20
First, you got to change the title.
:29:24
No, he doesn't want to work
out with the Waterford Huskies.
:29:27
Because he's Bob Barrenger.
:29:29
Tell his girl in Aspen
to ship his weights.
:29:32
There you go, sir.
:29:33
Well, fine. Then he won't
do the pond scene.
:29:36
Not unless he can work out.
:29:39
Call his girl in Aspen.
Get her to ship the weights out.
:29:43
How much can they weigh?
:29:46
Are these the ones?
:29:47
Yes, who designed
these costumes?
:29:50
Who designed them?
It looks like Edith Head puked
:29:52
and that puke designed them.
Get Courtney.
:29:56
- Your wife's on the phone.
- I have no wife.
:29:59
Ok...