:29:00
That's the truth.
The truth's best, don't you think?
:29:03
You'd know better than me.
:29:05
How can you say that?
:29:07
It's in your script.
:29:09
It's about getting
a second chance, isn't it?
:29:12
- 'You can go back. '
- How do I...
:29:15
How do I do a film called The Old Mill
when I don't have an old mill?
:29:20
First, you got to change the title.
:29:24
No, he doesn't want to work
out with the Waterford Huskies.
:29:27
Because he's Bob Barrenger.
:29:29
Tell his girl in Aspen
to ship his weights.
:29:32
There you go, sir.
:29:33
Well, fine. Then he won't
do the pond scene.
:29:36
Not unless he can work out.
:29:39
Call his girl in Aspen.
Get her to ship the weights out.
:29:43
How much can they weigh?
:29:46
Are these the ones?
:29:47
Yes, who designed
these costumes?
:29:50
Who designed them?
It looks like Edith Head puked
:29:52
and that puke designed them.
Get Courtney.
:29:56
- Your wife's on the phone.
- I have no wife.
:29:59
Ok...
:30:02
We need a new name
for the movie. Where's the writer?
:30:07
Roger.
:30:10
Wally, I got to takes out
the window from the dog.
:30:14
- I can't shoot through...
- What?
:30:16
Claire has a problem.
:30:17
Wally, If I have
a moment of your time, look here.
:30:20
I can not do this
shot you want.
:30:22
- Why not?
- It gots a window with a dogs in it.
:30:25
Should I push in,
or lose the shot?
:30:27
No, no, no.
You cannot lose the shot.
:30:30
The meaning
of the film is in that shot.
:30:32
But, Wally,
the window to the firehut...
:30:33
I don't care. Fix it.
:30:37
Courtney...
:30:40
did you show Claire these?
:30:42
- Yes.
- Did she throw up?
:30:44
That's not very nice.
:30:45
Oh, really? Why don't you
sue me in the world court?
:30:48
Did she like the costumes?
:30:50
- I can't tell.
- Why not?
:30:51
She won't stop crying.
:30:53
Oh, goody.
:30:55
Find out when Marty Rossen's
arriving. Get lilacs for the broad.
:30:58
Town's out of lilacs.