:45:01
Then why did you move?
:45:03
'Cause I felt like it.
:45:06
Who's that?
:45:09
- That's my mother.
- Where's she live?
:45:11
She doesn't. That's why
they put me in an orphanage.
:45:15
That's right. Sorry.
:45:18
What happened to her?
:45:22
What do you mean?
:45:24
I mean, why did she die?
Was she young?
:45:27
Was it in child birth?
:45:30
You're not very curious,
are you?
:45:35
Yeah, she was young.
She worked in a factory.
:45:38
She had me.
A little while later, she died.
:45:40
End of story.
:45:43
Then why didn't you say
she was a factory worker at dinner?
:45:46
'Cause I didn't fancy discussing
my private life
with a table full of strangers.
:45:52
I'm sorry if I spoke
out of turn, mate.
:45:54
Didn't mean to offend you.
:45:56
I'm not offended.
:45:58
And don't call me "mate."
:46:03
Well, I'll see you later.
:46:07
I've got a date
with a hot glass of milk.
:46:12
I shouldn't worry about it.
It goes with the territory.
:46:18
Oh, look.
It's Mr. Novello.
:46:26
Just think of him
sleeping downstairs.
:46:29
I'm gonna have to watch you, my girl.
I can see that.
:46:33
Her Ladyship says Mr. Weissman's
a Hollywood producer.
:46:36
He does
the Charlie Chan films.
:46:38
Yeah, I like those. I like
a bit of a fright in the cinema.
:46:41
You could go with his valet.
He'd give you a fright.
:46:46
You'd better keep your eye on him.
I think he's a queer one.
:46:50
He's not from Scotland,
for a start.
:46:52
At least not any part of it
that I know.
:46:59
- What's Mrs. Nesbitt like?
- She's all right.