The Score
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:34:01
I mean, I was dying.
:34:07
I had to improvise a little.
:34:13
- I-I saw something in the fire.
- We're just burning stuff.

:34:16
No. Look, look.
I saw something in the--

:34:20
Piano. In the piano,
I saw a-- Look.

:34:23
- I saw something.
- Jack!

:34:26
There! There!
:34:30
What is it?
:34:41
So everybody's freaking out.
:34:42
Nobody knows what this is
or what to do with it.

:34:44
They don't see this kind
of excitement down there.

:34:46
So they call some supervisor.
They get him out of bed.

:34:48
He comes down,
he takes one look at this thing.

:34:51
He doesn't know what the hell it is,
but he knows it's worth a lot.

:34:54
He tells them, until they can
sort it out, put it in the basement.

:34:57
- And that's what they do.
- Don't worry. Don't worry.

:35:00
- Don't worry about it.
- I want to see, Danny.

:35:02
- Can I see?
- No. Come on. Let's go now.

:35:05
Okay. Bye-bye. Bye.
:35:22
The basement
in the customshouse...

:35:24
is the most secure lockup
in eastern Canada.

:35:26
It was built as a bomb shelter
during the Cold War.

:35:28
All their important stuff's there--
state's evidence, narcotics...

:35:32
confiscated weapons.
:35:33
That scepter is in a safe
somewhere in this room.

:35:36
But the thing is,
there's no-- there's no cameras.

:35:38
If there was, I would've seen
an angle on the video monitors.

:35:41
So if we can put you inside that
room, you can work on it all night.

:35:46
We'll need pictures of the safe
or a model number from their files.

:35:50
Then we're gonna need plans--
infrastructure maps...

:35:53
blueprints, schematics,
anything we can get our hands on.

:35:56
That's all I got for now,
but give me two days.

:35:58
We just gotta find a way
to get into that basement.


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