:53:00
FrankIy, it gets me
a IittIe hot.
:53:03
-Gets you hot.
-Yeah.
:53:05
ReaIIy?
:53:06
Have you ever seen them kiss?
:53:08
Yeah, weII,
they kiss aII the time.
:53:10
ReaIIy? With tongues?
:53:14
Griffin, what are we
taIking about?
:53:19
What? I don't know.
:53:21
I thought I was
just gonna teII you...
:53:23
-that I'm...
-What?
:53:27
I was gonna teII you
that I'm...
:53:31
going to Sun VaIIey.
:53:33
-Oh, to the cabin, huh?
-Yep.
:53:35
WeII, that's smart.
Get away from everything...
:53:36
and just get
a cIear perspective.
:53:38
You want to go with?
:53:39
Why wouId I do that?
:53:41
You know, to get away,
get a cIear perspective.
:53:42
-Oh. Smart.
-Yeah.
:53:44
-What wouId we do there?
-What difference does it make?
:53:46
You're sIeeping in the office.
:53:47
She's taIking about
a restraining order.
:53:49
Porter, Iisten,
as peopIe get oIder...
:53:51
they become more who they are...
:53:53
and accepting that
can be very freeing.
:53:55
Sun VaIIey,
it's so inspirationaI.
:53:57
There's this bracing air and
these coId spring torrents...
:54:00
and there's these IittIe aII
weird IittIe animaI species...
:54:03
and that's just inside.
:54:05
What do you say?
:54:20
WeII, it worked for
Ernest Hemingway, didn't it?
:54:23
Maybe Sun VaIIey couId be
the perfect soIution.
:54:25
Hemingway,
our greatest writer...
:54:27
he returned to Idaho...
:54:29
to the sky and the snow
and the stars...
:54:31
and he communed with nature.
:54:32
He fished, he hunted,
he wrote, he...
:54:36
he shot himseIf.
Oh, weII.
:54:48
-Nice.
-What do you think?
:54:49
Nice wood. Nice wood.
Who buiIt it?
:54:51
ActuaIIy, beavers buiIt it.
:54:52
There used to be a river that
fIowed right through here.
:54:54
ReaIIy?
And the teIephone?
:54:56
Where's the teIephone?
:54:57
There is no phone.
I toId you...
:54:58
it was just gonna be
you, me, and the woIves.